On opening weekend, thirty-seven percent of North American movie goers will be African America [let’s just say Black]. Before today, fifteen percent had never bothered to see Marvel movies. Come rain, come shine. Why? Too white. A sprinkle of racism and white supremacy in real life, makes fantasy punishingly preposterous. “Black folks ain’t paying to underwrite and entertain their own systematic denigration.” Still, thirty-five percent will be unambiguously white. But who cares? I am African [Nigerian-rowdy]. Dressed in a leather jacket (I like to play it cool, under the radar. Ethnically-ambiguous). But by God it pleases me something fierce to see the world pay particular attention to Black Panther, to Africa, to topical stratums of the botched rapport between Africans (allegorically, this is T’Challa) and African Americans (Killmonger). Between Blacks and whites. Marvel and DC fanatics. And its all happening on the big screen, tonight. Post-colonization, post-slavery, post-exploitation, post-rapes, post-Tuskegee, post-Captain America, post- it all [insert all the hyphens you can fit into a Black Studies lecture class].
"Fiction writing is not for its own sake, a past-time, as taking a knee before a game is not for a flattering camera angle. What good are you if your writing, in 2018, does not upset the digestion of the hegemony? There is also the other space: the la-di-da fiction writer as Novelist (not a simple position, but simple enough), protected by the fine sheen of commercialization to be bothered by literary criticisms, so that when invited to share their sagacity all they discuss is their most recent book, their rituals (“how many cups of coffees make one New York Times bestseller?”)"
Jesus, the old lover whispers as I piss red, Parting the red seen in the cistern, And with his, I smell an editor's disgust, As I compose for that nice rot of fancy and glamor. Dance, fool, dance. And for good times, dance. When the stove is cold, Long shall the fool dance, Long shall … Continue reading Dance, fool, dance
FADE IN: INT. HONKY TONK MOTEL, BOILER ROOM - MIDNIGHT There is a fire that licks the bucket’s rim, There is a clunk in the copper pipes, There is a Frida forgotten in a river nameless, There is a con-man in my round yellow window, Swollen in my favorite chair, By the candle, he swells, … Continue reading Fucking & Punching
I remember those poets And their fervent love for typewriter summaries, Little cut-outs typefaces and such, Signed with lush aliases and tiny black hearts. One last rush for some academic honesty, Little typos too for golden realness, Some marvelous subterfuge. One must admire this fancy with some overt scorn and salt. You cannot write, Of … Continue reading Little Typewriter Summaries
On a street of red doors, I am a red one. See what you will, Try that you try. I will always be both ends Of a solitary shooting star. One fine end will slice thru god’s sides. The other will betray The trimmings of a lifelong lie, That I was all right in the … Continue reading Little Red Doors
And for this, At the end of another donkey day, My next fight with a blond mistress, Will transpire in the wee small hours of Tuesday, Her ignorance impenetrable, Of the things I have stuck up my business end And this will be profound satisfying.
"The boat spews its affliction, Many of them in colorful buoys, Of Kobane Syrian women in damp burqas, Of Olden women clutching prayer beads, And Pakistani men with little pride, And little girls with pink backpacks uprooted from sleep, Another boy, recently broken, is lifeless, purple-lipped."
With proper handling, My soul will awake in the dark of a brown envelope. On its chest, I have sweet-talked a mighty god into cutting a deal, I have begged the kindness of greats, Of Mohammed & Buddha & Krishna, Some special gamble. One piece of work, I say, That will seduce nuns, And blonde … Continue reading Death to the Editor-In-Chief