Enter: You with baptismals and living mothers, For whom the bells toll, At whom the crickets of the veldt titter, Even that swollen savage, fat in the Saharan sun, Even my father and his useless red-clay gods, Even the preacher on evening walks, Casting out a million cankerworms. Enter: Those never somethings, Those never nothings. … Continue reading Fleurs du Mal
On opening weekend, thirty-seven percent of North American movie goers will be African America [let’s just say Black]. Before today, fifteen percent had never bothered to see Marvel movies. Come rain, come shine. Why? Too white. A sprinkle of racism and white supremacy in real life, makes fantasy punishingly preposterous. “Black folks ain’t paying to underwrite and entertain their own systematic denigration.” Still, thirty-five percent will be unambiguously white. But who cares? I am African [Nigerian-rowdy]. Dressed in a leather jacket (I like to play it cool, under the radar. Ethnically-ambiguous). But by God it pleases me something fierce to see the world pay particular attention to Black Panther, to Africa, to topical stratums of the botched rapport between Africans (allegorically, this is T’Challa) and African Americans (Killmonger). Between Blacks and whites. Marvel and DC fanatics. And its all happening on the big screen, tonight. Post-colonization, post-slavery, post-exploitation, post-rapes, post-Tuskegee, post-Captain America, post- it all [insert all the hyphens you can fit into a Black Studies lecture class].
"Fiction writing is not for its own sake, a past-time, as taking a knee before a game is not for a flattering camera angle. What good are you if your writing, in 2018, does not upset the digestion of the hegemony? There is also the other space: the la-di-da fiction writer as Novelist (not a simple position, but simple enough), protected by the fine sheen of commercialization to be bothered by literary criticisms, so that when invited to share their sagacity all they discuss is their most recent book, their rituals (“how many cups of coffees make one New York Times bestseller?”)"
FADE IN: INT. HONKY TONK MOTEL, BOILER ROOM - MIDNIGHT There is a fire that licks the bucket’s rim, There is a clunk in the copper pipes, There is a Frida forgotten in a river nameless, There is a con-man in my round yellow window, Swollen in my favorite chair, By the candle, he swells, … Continue reading Fucking & Punching
The women are commas, Apostrophes, question marks, Ellipses, exclamations, Brackets, bullets, Vowels, consonants, Virgins, widows, Bandages, electric eels, Spices, months of the year, Deja vu's, the Fibonacci sequence.
I seldom know the lines for the widow, You see, I am a poet, I see death every night, I die a little, others die in conclusion, And the sun comes up at half past four. Sometimes, I go for the jugular and squeeze, Other times, the war is extraordinary, Heaven opens a window, I … Continue reading Lines for the Widow
Plot twist: Upon freeing windows, when one can finally stomach that light. Summer unhides such and such glories, Of Monarch butterflies with a taste for blood, Of the world fragranced as one remarkable ass-crack, Of excellent ugliness finding audacity in the sun, Of trembling rumps, smiling luvs, merciful nuns. Paper kites finally kiss the bay, … Continue reading Summer from a Keyhole